{"title":"Prints | Indigenous Cultures","description":"","products":[{"product_id":"mp11157","title":"1617 Erfindung und Schiffarten","description":"\u003cp\u003eThis Ziegler map is taken directly from an earlier original engraving by Theodor de Bry depicting the meeting of Sir Francis Drake with an American Indian chief in what is believed to be present-day San Francisco in June 1579.\u003c\/p\u003e\n\u003cp\u003ePictured with an indigenous potentate in the New World, Drake is depicted at the moment he is being crowned by the native king. This event was ostensibly taken to mean that the land had been gifted to the English. The two are surrounded by indigenous peoples dancing and seemingly reveling at the arrival of the Europeans, with tepees and palm trees as a backdrop. Along the beach a well-armed small squadron is seen erecting a sign to claim the land for England. Curious indigenous individuals are seen approaching a large group of very well-armed Europeans, with gifts in arms for them. A number of frigates are pictured a short distance offshore.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":8768893354045,"sku":"11157","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/products\/mp11157a.jpg?v=1736981729"},{"product_id":"12007","title":"1719 Carte De L'Ile De Madagascar...","description":"\u003ch3\u003eCarte De L'Ile De Madagascar Contenant Sa Description \u0026amp; Diverses Partiicularitez Curieues De Ses Habitants Tant Blancs que Negres\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis is a fine example of an original uncolored map of Madagascar with a series of prints illustrating the indigenous people, their traditional garb, culture, and methods of transportation, weapons, and customs. These illustrated scenes include a beheading, a funeral ceremony, archery practice, a native dance, and canoe travel. The map is oriented with west at the top and north to the right. The island is divided by kingdoms, which offers a snapshot view of the rich and interesting history of Madagascar. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":39438383054909,"sku":"12007","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/products\/12007a.jpg?v=1736980721"},{"product_id":"12008","title":"1719 Vue \u0026 description de la ville de Lovango dans la royaume de Congo...","description":"\u003ch3\u003eVue \u0026amp; description de la ville de Lovango dans la royaume de Congo avec plusieurs particularitez curieuses touchant les moers \u0026amp; les habillemens des indiens du pais\u003c\/h3\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBy:\u003c\/strong\u003e Henri Abraham Chatelain\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e 1719 (published) Amsterdam\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 15 x 17 inches (38 x 43.2cm)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis impressive series of prints offers a hilltop or bird-eye-view of the African city of Lovango, which at the time of publication was the center of control from the Congo. This single folio sheet was published as part of Chatelain's monumental \u003cem\u003eAtlas Historique\u003c\/em\u003e, a seven volume world atlas that provided among its many wonderful and informative maps, more information on indigenous cultures around the globe than any other publication of its time or prior it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis single sheet features an abundance of written information(in French) on the city of Lovango and the customs of the kingdom. Printed illustrations include ways in which royalty is carried, warriors of the Congo, the election of their king, and a view of Basa or San Salvador, to list a few.   \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e This print is in A condition with a strong impression on clean paper and ample margins on all sides. Some light paper toning and soiling exists along the centerfold which is quite common among these maps. A short marginal tear along the bottom has been repaired on the verso and does not come near the image.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eInventory #12008\u003c\/span\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":39438429093949,"sku":"12008","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/products\/12008a.jpg?v=1736980720"},{"product_id":"12009","title":"1719 Description, Situation \u0026 Vue de la Ville de Mexique...","description":"\u003ch3\u003eDescription, Situation \u0026amp; Vue de la Ville de Mexique, des deux Lacs sur lesquels elle est batie, du Grand Temple de Cette Ville, des Sacrifices d'Hommes qu'on y Faisoit, de l'Idole des Mexicains, de leurs Jeux Divertis\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis is a fascinating folio sheet from Chatelains Atlas Historique presenting the location, layout, and view of what was Tenochtitlan and would become Mexico City. The series of prints includes a scene of ceremonial dancing, a view of Mexico City, and a human sacrifice to \u003cem\u003eXipe Totec\u003c\/em\u003e atop 'Temple Mayor.' \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":39438623539261,"sku":"12009","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/products\/12009a.jpg?v=1736980719"},{"product_id":"90226","title":"1851 Pre-Columbian Prints of Inca Antiquities","description":"\u003cp\u003eAn impressive group of lithograph prints depicting pre-Columbian artifacts from Peru. The objects were compiled by the Peruvian museum curator Mariano Eduardo de Ribero or Rivero and the Swiss naturalist Johann Jakob von Tschudi in the 1830s and 1840s. The original book \"\u003cspan data-mce-fragment=\"1\"\u003eAntiguedades Peruanas\"\u003c\/span\u003e contained 59 images and was published by Leopold Muller out of Vienna in 1851. It contained the earliest authentic delineation of Incan architecture and other remains of their civilization.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Lamina VIII","offer_id":40610786967613,"sku":"90226","price":75.0,"currency_code":"USD","in_stock":true},{"title":"Lamina IX","offer_id":40610787000381,"sku":"90227","price":75.0,"currency_code":"USD","in_stock":true},{"title":"Lamina XXII","offer_id":40610787033149,"sku":"90228","price":75.0,"currency_code":"USD","in_stock":true},{"title":"Lamina XXIII","offer_id":40610787065917,"sku":"90229","price":75.0,"currency_code":"USD","in_stock":true},{"title":"Lamina XXIV","offer_id":40610787098685,"sku":"90230","price":75.0,"currency_code":"USD","in_stock":true},{"title":"Lamina XXVII","offer_id":40610787131453,"sku":"90231","price":75.0,"currency_code":"USD","in_stock":true},{"title":"Lamina XLII","offer_id":40610787164221,"sku":"90232","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/90226a.jpg?v=1736980069"},{"product_id":"12551","title":"1599 In West Indien [Sir Walter Raleigh in Guiana]","description":"\u003cp\u003eA superb example of Theodore De Bry's depiction of Sir Walter Raleigh attempting to establish friendship with King Arromaia of Guiana. This example comes from the 1st German edition of Americae, PARS VIII, published out of Frankfurt in 1599, one year after De Bry's death.\u003c\/p\u003e\n\u003cp\u003eSir Walter Raleigh Scott is arguably one of the most famous English explorers that ever lived. He was also a favorite of Queen Elizabeth I, who during her reign, both knighted him, rewarded him handsomely as well as held him a prisoner of the Tower of London on three separate occasions. In 1584, 1585 and 1587 Raleigh organized voyages to North America that led to his sponsorship of an English colony on Roanoke Island (now north Carolina), which he named ‘Virginna’ after his adored Virgin Queen, Elizabeth I.\u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003eIn Search of the Golden City of El Dorado\u003c\/h5\u003e\n\u003cp\u003eUpon release from his second stint as a prisoner of the London Tower, Raleigh set off in 1595 (during the Anglo-Spanish War) to Guinea in South America in search of the mythical golden land of El Dorado. His success would undoubtedly win him fortune, fame, and the Queen devout affection that kept him a member of high society. \u003c\/p\u003e\n\u003cp\u003eAfter capturing the Spanish settlement of San José de Oruña on the colony of Trinidad, Raleigh and the English held the place and used it as a base for their exploration. Raleigh would successfully navigate the river and inlets, penetrating some 400 miles into the Guiana highlands. While no gold or lost city was ever found, Raleigh returned to England exaggerating his account. The result of the expedition was an important alliance with the natives of the region that would have a lasting impact on future colonization of the area.\u003c\/p\u003e\n\u003ch5\u003eExecution of Sir Walter Raleigh Scott\u003c\/h5\u003e\n\u003cp\u003eSir Walter Raleigh Scott would eventually be beheaded on October 29, 1618, fifteen years after being convicted (which many argue falsely) of treason as he was implicated in a plot to overthrow the newly crowned King James I. The new king was attempting a diplomatic rapprochement with Spain, England’s longstanding enemy, against whom Raleigh had been a formidable foe. According to biographers, Raleigh's last words, spoken to the hesitating executioner, were: \u003cem\u003e\"What dost thou fear? Strike, man, strike!\u003c\/em\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":40636756525117,"sku":"12551","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/12551a.jpg?v=1736980029"},{"product_id":"92100","title":"The Emigrants","description":"\u003cp\u003eThis is an original chromolithograph print of Frederic Remington's painting \"The Emigrants,\" with his signature appearing in the lower right. The prints was published by Collier's Weekly out of New York City and bares a copyright date of 1904.\u003c\/p\u003e\n\u003cp\u003eThe print features an emigrant wagon train under attack by Native Americans while fording a river in the western frontier. In this calamitous scene, a a young male is seen helplessly fending off his attackers with a stick used to drive oxen, while an indigenous warrior positions his spear for the kill while riding at full gallop.   \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e was an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. He is known for being one of the first American artists to illustrate the true gait of the horse in motion and the galloping horse became Remington's signature subject, which was copied and interpreted by many subsequent Western artists. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCollier’s Magazine\u003c\/strong\u003e was a weekly periodical that can best be described as American, general interest featuring vibrant, original illustrated covers with articles and short stories by famous writers such as Winston Churchill, Ernest Hemingway, Jack London, John Steinbeck, and Kurt Vonnegut that often focused on historical and political events. The magazine was founded in 1888 by the Irish immigrant Peter Collier and ran until January 8, 1957.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRemington’s illustration appeared in many issues of Collier’s magazine but was also issued as separate prints in portfolios, intended for framing.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":40940981452861,"sku":"92100","price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92100a.jpg?v=1736979834"},{"product_id":"92101","title":"The Buffalo Runners","description":"\u003cp\u003eThis is an original chromolithograph print of Frederic Remington's painting \"The Buffalo Runners,\" with his signature appearing in the lower right. The prints was published by Collier's \u0026amp; Son out of New York City and bares a copyright date of 1906.\u003c\/p\u003e\n\u003cp\u003eThis scene depicts three Native Americans riding bareback on horses, amongst a herd of Buffalo.  One of the bison that has been singled out from the rest of the herd is being speared just above the hind-quarter, as the rest stampede through the grassland. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e was an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. He is known for being one of the first American artists to illustrate the true gait of the horse in motion and the galloping horse became Remington's signature subject, which was copied and interpreted by many subsequent Western artists. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCollier’s Magazine\u003c\/strong\u003e was a weekly periodical that can best be described as American, general interest featuring vibrant, original illustrated covers with articles and short stories by famous writers such as Winston Churchill, Ernest Hemingway, Jack London, John Steinbeck, and Kurt Vonnegut that often focused on historical and political events. The magazine was founded in 1888 by the Irish immigrant Peter Collier and ran until January 8, 1957.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRemington’s illustration appeared in many issues of Collier’s magazine but was also issued as separate prints in portfolios, intended for framing.\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":40940994494525,"sku":"92101","price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92101a.jpg?v=1736979832"},{"product_id":"92105","title":"OO - YAH (aka \"Howdy Pard\")","description":"\u003cp\u003eThis is an original lithograph print of Frederic Remington's painting \"OO-YAH\".  The print was published by Collier's Weekly out of New York City, with Remington's signature in the lower left corner.  The scene depicts a wintery scence of  cowboys greeting one another in a celbratory mood, with the following text on the right bottom page reads:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"There's wolves around in Wintertime, But we keep them from the door; For wolves run a mile when they hear us smile, And hittin' of our heels on the floor.  Oo-yah! And our heels a-hittin' sweetly on the floor.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e was an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. He is known for being one of the first American artists to illustrate the true gait of the horse in motion and the galloping horse became Remington's signature subject, which was copied and interpreted by many subsequent Western artists. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCollier’s Magazine\u003c\/strong\u003e was a weekly periodical that can best be described as American, general interest featuring vibrant, original illustrated covers with articles and short stories by famous writers such as Winston Churchill, Ernest Hemingway, Jack London, John Steinbeck, and Kurt Vonnegut that often focused on historical and political events. The magazine was founded in 1888 by the Irish immigrant Peter Collier and ran until January 8, 1957.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRemington’s illustration appeared in many issues of Collier’s magazine but was also issued as separate prints in portfolios, intended for framing.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":40984899911741,"sku":"92105","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92105a.jpg?v=1736979812"},{"product_id":"92106","title":"The Last Token","description":"\u003cp\u003eThis is an original lithograph print of Frederic Remington's painting \"The Last Token\".  The print was published by Collier's Weekly out of New York City.  The scene depicts soldiers and  two Indians, handing a spur from a skeleton torso,  with 4 arrows in the chest. The dead mans' horse lies in the background, also a skeleton.  Another Indian, perhaps a Scout, is reaching out to the Cowboy, as if consoling him. \u003c\/p\u003e\n\u003cp\u003eThe verse below is helpful in describing this scene to the viewer.  It reads: \u003cem\u003e \"My horse is down with thirst, boys, The Sun it rises higher; I wished they'd kill me first, boys, But they're building me a fire. My heart it is not broken, boys, But my lips are sealed with flame; Therefore I leave this token, boys, To tell you I died game.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e was an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. He is known for being one of the first American artists to illustrate the true gait of the horse in motion and the galloping horse became Remington's signature subject, which was copied and interpreted by many subsequent Western artists. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCollier’s Magazine\u003c\/strong\u003e was a weekly periodical that can best be described as American, general interest featuring vibrant, original illustrated covers with articles and short stories by famous writers such as Winston Churchill, Ernest Hemingway, Jack London, John Steinbeck, and Kurt Vonnegut that often focused on historical and political events. The magazine was founded in 1888 by the Irish immigrant Peter Collier and ran until January 8, 1957.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRemington’s illustration appeared in many issues of Collier’s magazine but was also issued as separate prints in portfolios, intended for framing.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":40984918065213,"sku":"92106","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92106a.jpg?v=1736979811"},{"product_id":"92107","title":"Driving Cattle into a Corral in the Far West","description":"\u003cp\u003eThis is an original lithograph print by W. J. Palmer, \"Driving Cattle in a Corral in the Far West\".  The print was published by Harper's Weekly in 1875 out of New York City.  The scene depicts cattle drivers, consisting of Indians and Cowboys, with airborne whips used to corral the multitude of cattle into the corral.  The excitement is visible to the viewer of this dynamic scene. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarper's Magazine\u003c\/strong\u003e was a weekly magazine which debuted in June of 1850.  Although the earliest issues consisted largely of material that had already been published in England, the magazine soon began to print the work of American artists and writers - among them Horatio Alger, Stephen A. Douglas, Theodore Dreiser, Horace Greeley, Winslow Homer, Jack London, John Muir, Frederick Remmington, and Mark Twain.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":40986106921021,"sku":"92107","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92107a.jpg?v=1736979809"},{"product_id":"92109","title":"Halt of a Wagon Train","description":"\u003cp\u003eThis is an original lithograph print by Winslow Homer, \"Halt of a Wagon Train\".  The print was published by Harper's Weekly out of New York City.  The scene depicts a Wagon Train at rest, with a group of men surrounding a campfire.  In the front, you witness someone sleeping near the warmth, all bundled up.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWinslow Homer\u003c\/strong\u003e was an American landscape artist and illustrator, best known for his marine subjects.  He is considered one of the foremost painter of 19th century America and a preeminent figure in American art in general.\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eHarper's Magazine\u003c\/strong\u003e was a weekly magazine which debuted in June of 1850.  Although the earliest issues consisted largely of material that had already been published in England, the magazine soon began to print the work of American artists and writers - among them Horatio Alger, Stephen A. Douglas, Theodore Dreiser, Horace Greeley, Winslow Homer, Jack London, John Muir, Frederick Remmington, and Mark Twain.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":40986135691325,"sku":"92109","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92109a.jpg?v=1736979808"},{"product_id":"92110","title":"Emigrants Attacked by Indians","description":"\u003cp\u003eThis is an original lithograph print from the picture taken by John S. Davis, \"Emigrants Attacked By Indians \".  The print was published by \"The Graphic\", a British weekly illustrated newspaper.  The scene depicts a terrified group of emigrants near and in their wagons, being attacked by Indians seen in the background.  Two of the stunned emigrants gaze out toward the viewer during this horrific scene, as if asking for help.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":40986177962045,"sku":"92110","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92110a.jpg?v=1736979807"},{"product_id":"92111","title":"A Wild Indian Show","description":"\u003cp\u003eThis is an original lithograph print from the painting by German artist Paul Meyerheim. It is the exhibition of a travelling company of human curiousities, advertised as genuine North American Indians.  The spectators are assembled in a German country village. The ingenious master of this popular entertainment, standing in front of the platform, declaiming upon the savage ferocity of his Ojibbeway friends. The audience all seem to enjoy the \"Wild Indian Show\", in one way or another, for the artist has caught upon each face a very natural expression of the feeling in their minds.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":40986332135485,"sku":"92111","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92111a.jpg?v=1736979806"},{"product_id":"92112","title":"Airing a Complaint","description":"\u003cp\u003eThis is an original lithograph print from the painting by Frederic Remington. The scene depicts two men , one with arms raised, speaking excitedly to a Cavalry man, who 's holding onto his horse's reigns. In the background are a large group of Indians, passively observing this exchange of words. The Indians appear to be backed by Cavalry men on horses, as if standing guard. It leaves the viewer unaware of the exact reason for this encounter, as we are merely spectators.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. He is known for being one of the first American artists to illustrate the true gait of the horse in motion and the galloping horse became Remington's signature subject, which was copied and interpreted by many subsequent Western artists.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHarper's Magazine\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e was a weekly magazine which debuted in June of 1850.  Although the earliest issues consisted largely of material that had already been published in England, the magazine soon began to print the work of American artists and writers - among them Horatio Alger, Stephen A. Douglas, Theodore Dreiser, Horace Greeley, Winslow Homer, Jack London, John Muir, Frederic Remington, and Mark Twain.\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":40988135784509,"sku":"92112","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92112a.jpg?v=1736979798"},{"product_id":"92113","title":"All Off in a Bunch","description":"\u003cp\u003eThis is an original lithograph print from the painting by Frederick Remmington. This, and other paintings in Remington's article for Harper's Weekly, \"Coaching in Chihuahua\", refer to the artist's sojourn at the vast Bavicora ranch in Mexico. His essay is a humorous look back at what he insists is his last trip back by stagecoach.  The trip was hot, dusty, dangerous, and disagreeable.\u003c\/p\u003e\n\u003cp\u003eThe lively scene depicts a stagecoach with two passengers (one masked) inside, and 3 Mexican drivers. Another Mexican is on the side of the road, perhaps observing the uncontrollable six horses leading the wagon.  Frederick Remington's signature appears in the lower left.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. He is known for being one of the first American artists to illustrate the true gait of the horse in motion and the galloping horse became Remington's signature subject, which was copied and interpreted by many subsequent Western artists.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHarper's Magazine\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e was a weekly magazine which debuted in June of 1850.  Although the earliest issues consisted largely of material that had already been published in England, the magazine soon began to print the work of American artists and writers - among them Horatio Alger, Stephen A. 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There appears to be snow on the ground, with the Barracks and another group of soldiers in the background. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. He is known for being one of the first American artists to illustrate the true gait of the horse in motion and the galloping horse became Remington's signature subject, which was copied and interpreted by many subsequent Western artists.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHarper's Magazine\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e was a weekly magazine which debuted in June of 1850.  Although the earliest issues consisted largely of material that had already been published in England, the magazine soon began to print the work of American artists and writers - among them Horatio Alger, Stephen A. Douglas, Theodore Dreiser, Horace Greeley, Winslow Homer, Jack London, John Muir, Frederick Remmington, and Mark Twain.\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":40988969861181,"sku":"92114","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92114a.jpg?v=1736979796"},{"product_id":"92116","title":"Signaling the Main Command","description":"\u003cp\u003eThis is an original lithograph print from the drawing by Frederic Remington. The scene depicts a group of ten, with the center figure holding up the Command flag. I appears to have several Indians and Cowboys in the scene, all watching the Command Officer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. He is known for being one of the first American artists to illustrate the true gait of the horse in motion and the galloping horse became Remington's signature subject, which was copied and interpreted by many subsequent Western artists.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHarper's Magazine\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e was a weekly magazine which debuted in June of 1850.  Although the earliest issues consisted largely of material that had already been published in England, the magazine soon began to print the work of American artists and writers - among them Horatio Alger, Stephen A. Douglas, Theodore Dreiser, Horace Greeley, Winslow Homer, Jack London, John Muir, Frederick Remmington, and Mark Twain.\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":40989133766717,"sku":"92116","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92116a.jpg?v=1736979793"},{"product_id":"92117","title":"American Tourists in Mexico","description":"\u003cp\u003eThis is an original lithograph print from the drawing by Frederic Remington. The scene depicts a group of American tourists, comprising of three well-dressed ladies with a debonair gentleman. Three donkeys and two Mexicans are also visible, as one of the ladies pets the smaller donkey.  The church in the background brings the viewer into their quaint village.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. He is known for being one of the first American artists to illustrate the true gait of the horse in motion and the galloping horse became Remington's signature subject, which was copied and interpreted by many subsequent Western artists.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHarper's Magazine\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e was a weekly magazine which debuted in June of 1850.  Although the earliest issues consisted largely of material that had already been published in England, the magazine soon began to print the work of American artists and writers - among them Horatio Alger, Stephen A. Douglas, Theodore Dreiser, Horace Greeley, Winslow Homer, Jack London, John Muir, Frederick Remmington, and Mark Twain.\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":40989139730493,"sku":"92117","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92117a.jpg?v=1736979792"},{"product_id":"92118","title":"The Last Lull in the Fight\", aka: \"The Last Stand\"","description":"\u003cp\u003eThis is an original lithograph print from the painting by Frederic Remington. The scene depicts four Cowboys atop their dead or injured horses.  One cowboy appears to be gravely injured or dead, while the three remaining cowboys look dismayed, with one bandaging his injured leg.  In the background can be seen about eight small groups of Indians, clearly outnumbering the Cowboys.  Thus, this is also called \"The Last Stand\", as they await their dismal fate.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. He is known for being one of the first American artists to illustrate the true gait of the horse in motion and the galloping horse became Remington's signature subject, which was copied and interpreted by many subsequent Western artists.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHarper's Magazine\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e was a weekly magazine which debuted in June of 1850.  Although the earliest issues consisted largely of material that had already been published in England, the magazine soon began to print the work of American artists and writers - among them Horatio Alger, Stephen A. Douglas, Theodore Dreiser, Horace Greeley, Winslow Homer, Jack London, John Muir, Frederick Remmington, and Mark Twain.\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":40991266242621,"sku":"92118","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92118a.jpg?v=1736979790"},{"product_id":"92119","title":"Cheyenne Scouts Patrolling The Big Timber Of The North Canadian, Oklahoma","description":"\u003cp\u003eThis is an original lithograph print from the painting by Frederic Remington. The scene depicts two uniformed Cheyenne Scouts on horseback patrolling the Woods, with one pointing out something to the other.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. He is known for being one of the first American artists to illustrate the true gait of the horse in motion and the galloping horse became Remington's signature subject, which was copied and interpreted by many subsequent Western artists.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHarper's Magazine\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e was a weekly magazine which debuted in June of 1850.  Although the earliest issues consisted largely of material that had already been published in England, the magazine soon began to print the work of American artists and writers - among them Horatio Alger, Stephen A. Douglas, Theodore Dreiser, Horace Greeley, Winslow Homer, Jack London, John Muir, Frederick Remmington, and Mark Twain.\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":40991282495549,"sku":"92119","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92119a.jpg?v=1736979789"},{"product_id":"921201","title":"Calvary in an Arizona Sand-storm","description":"\u003cp\u003eThis is an original lithograph print from the painting by Frederic Remington. The scene depicts a large group of Cavalry men caught in a Sand storm.  Using their hats as protection from the sand, their faces remain invisible to the viewer.  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. He is known for being one of the first American artists to illustrate the true gait of the horse in motion and the galloping horse became Remington's signature subject, which was copied and interpreted by many subsequent Western artists.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHarper's Magazine\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e was a weekly magazine which debuted in June of 1850.  Although the earliest issues consisted largely of material that had already been published in England, the magazine soon began to print the work of American artists and writers - among them Horatio Alger, Stephen A. Douglas, Theodore Dreiser, Horace Greeley, Winslow Homer, Jack London, John Muir, Frederick Remmington, and Mark Twain.\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":40991293243453,"sku":"92120","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92120a.jpg?v=1736979788"},{"product_id":"92123","title":"California Emigrants, the Last Day On The Plains","description":"\u003cp\u003eThis is an original lithograph print engraved by British artist, John Andrew . The  scene depicts a large group of California Emigrants preparing to leave the Plains.  The have just arrived in the neighborhood of a pass of the Sierra Nevada.  The large mounted figure to the right, in the foreground, is the guide of the company. He is sounding the \"reveille\", to recall stragglers and give them notice that the hour for the march has arrived. It's and interesting and dramatic picture, every group having a little story of its own.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBallou's Pictorial: \u003c\/strong\u003e Gleason's Pictorial Drawing-Room Companion was a 19th century illustrated peiodical published in Boston, Massachusetts, from 1851 to 1859.  The name was changed to Ballou's in 1855, and absorbed the Illustrated News of New York in 1853.  It featured many well-known artists, until it ceased in 1859.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":41001328640061,"sku":"92123","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92123a.jpg?v=1736979777"},{"product_id":"92125","title":"Attacked by the Indians","description":"\u003cp\u003eThis is an original lithograph print made from a drawing by an unknown artist, featured in Harper's Weekly Magazine, in 1876. The scene depicts a group of white settlers, probably part of a Wagon Train, being attacked by a group of Indians on horseback.  The shocked looks on the two settlers in the foreground appear to be looking at the viewer, asking for help.\u003c\/p\u003e\n\u003cp\u003eThere is an article written about this scene below the picture. A brief excerpt:  \u003cem\u003e\"We have taught the Indians to regard the whites as enemies. We have cheated, despoiled, and demoralized them, and now affect to be surprised when they turn upon us, and defend the integrity of their lands with all the brutality and cruely of savage warfare.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHarper's Weekly:\u003c\/b\u003e  Harper's Magazine was a weekly magazine which debuted in June of 1850.  Although the earliest issues consisted largely of material that had already been published in England, the magazine soon began to print the work of American artists and writers - among them Horatio Alger, Stephen A. Douglas, Theodore Dreiser, Horace Greeley, Winslow Homer, Jack London, John Muir, Frederick Remmington, and Mark Twain.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":41008661004349,"sku":"92125","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92125a.jpg?v=1736979775"},{"product_id":"92126","title":"Mexican Troops in Sonora","description":"\u003cp\u003eThis is an original lithograph print made from a drawing by Frederic Remington, featured in Harper's Weekly Magazine, in 1886. The 5 vignettes depict Mexican troops in Sonora, which is one of the 31 states in Mexico. There are 4 small scenes aside a larger one in the middle of the print:  Garrison Guard in the Batallion; Receiving Orders; Custom House Guard; Soldier Making Lace; and the larger one is of a Prison Guard in Hermissillo, Sonora. All 5 scenes are presented in landscape format.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. He is known for being one of the first American artists to illustrate the true gait of the horse in motion and the galloping horse became Remington's signature subject, which was copied and interpreted by many subsequent Western artists.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHarper's Weekly:\u003c\/b\u003e  Harper's Magazine was a weekly magazine which debuted in June of 1850.  Although the earliest issues consisted largely of material that had already been published in England, the magazine soon began to print the work of American artists and writers - among them Horatio Alger, Stephen A. Douglas, Theodore Dreiser, Horace Greeley, Winslow Homer, Jack London, John Muir, Frederick Remmington, and Mark Twain.\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":41009111400509,"sku":"92126","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92126a.jpg?v=1736979774"},{"product_id":"92127","title":"Watching the Dust of the Hostiles From the Bluffs of the Stronghold","description":"\u003cp\u003eThis is an original lithograph print made from a drawing by Frederic Remington, featured in Harper's Weekly Magazine, in 1890. The scene depicts 6 prominent figures in the foreground, with Frederic Remington being  the middle figure.  The others are Lieutenant Geddy, second in command, Lientenant Casey, (Frederic Remington), Lieutenant Struthers, of the Pine Ridge Scouts. In the background you can see other members of the Force in the Stronghold, vigilant of the hostiles proximity. Remington's signature appears  in the lower right corner.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. He is known for being one of the first American artists to illustrate the true gait of the horse in motion and the galloping horse became Remington's signature subject, which was copied and interpreted by many subsequent Western artists.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHarper's Weekly:\u003c\/b\u003e  Harper's Magazine was a weekly magazine which debuted in June of 1850.  Although the earliest issues consisted largely of material that had already been published in England, the magazine soon began to print the work of American artists and writers - among them Horatio Alger, Stephen A. Douglas, Theodore Dreiser, Horace Greeley, Winslow Homer, Jack London, John Muir, Frederick Remmington, and Mark Twain.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":41010039816253,"sku":"92127","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92127a.jpg?v=1736979773"},{"product_id":"92129","title":"Mexican Doorways","description":"\u003cp\u003eThis is an original lithograph print made from a drawing by Frederic Remington, featured in Harper's Weekly Magazine, in 1890. The print depicts 8 Mexican scenes:  Street in Orizaba; Church Front City, of Mexico; Stake and Mud Hut; Poor Quarter, City of Mexico; Piedras Negras; Gateway to Orizaba; Garden Gate, Aqua Calientes; and a Hacienda.  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. 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The plates provide a vivid visual record of nineteenth-century archaeological interest in Egyptian mummification, burial rituals, and the material culture of the afterlife.\u003c\/p\u003e\n\u003cp\u003eThese plates were published in the late nineteenth century in Samuel Augustus Binion’s monumental Egyptological work Mizraim: The History, Religion, Learning and Antiquities of Ancient Egypt. Produced during a period of intense European and American fascination with Egyptian archaeology, the plates were printed as finely detailed chromolithographs and engravings to reproduce the artifacts and monuments discovered by early expeditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCase and Mummy in its Cerements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis plate shows both the decorated outer coffin and the wrapped mummy within. 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S. Hammond \u0026amp; Company in 1946, the Map of Mankind places a brightly colored political map of the world at the center of an elaborate border illustrated with photographs of sculptures by American artist Malvina Hoffman. Symbols link the figures to geographic regions and organize them according to the racial classifications then used by physical anthropologists. The complete set was accompanied by the 24-page booklet The Races of Mankind, written by anthropologist Henry Field and revised by Wilfrid D. Hambly, both associated with Chicago's natural history museum. The booklet's text had originally appeared in 1933 in connection with the museum's new exhibition.\u003c\/p\u003e\n\u003cp\u003eThe sculptures themselves originated with one of the Field Museum's most ambitious exhibitions. Commissioned around 1930, Hoffman traveled extensively while creating more than one hundred portraits and figures intended to represent what anthropologists of the period called human “racial types.” Her bronzes became the centerpiece of the museum's Races of Mankind exhibition, which opened in 1933 and was ultimately seen by more than ten million visitors. Hoffman nevertheless approached many of her subjects as individuals and wrote that she wanted her sculptures to convey their dignity and individuality as well as their physical appearance.\u003c\/p\u003e\n\u003ch4\u003eArt, Anthropology and Changing Ideas of Race\u003c\/h4\u003e\n\u003cp\u003eThe map is especially interesting today because it documents a scientific framework that has since been rejected. The accompanying booklet itself acknowledges contemporary disagreement over the meaning of “race” and cautions against associating physical characteristics with social status or psychological qualities, yet it continues to divide humanity into broad hereditary racial categories. The Field Museum eventually removed the original exhibition in 1969 as anthropology moved away from such typological classifications. Today the museum presents many of Hoffman's sculptures in a very different context, examining both the individuality of the people she portrayed and the problematic history of the racial theories for which their likenesses were originally used.\u003c\/p\u003e\n\u003cp\u003eThis example is particularly desirable as the complete original package, retaining the large color map, the illustrated 24-page Races of Mankind booklet, and the original pictorial envelope advertising the set as “Distinguished · Novel · Challenging.” Together they offer an unusually complete artifact of midcentury American popular education, combining world cartography with one of the most famous anthropological art projects undertaken by Chicago's Field Museum.\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":43596763496509,"sku":"13393","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/13393a_Map_of_mankind.jpg?v=1788901852"},{"product_id":"engraving-of-indigenous-people-of-the-strait-of-magellan","title":"1673 Engraving of Indigenous People of the Strait of Magellan","description":"\u003cp\u003eAn engraved scene of Indigenous people at the Strait of Magellan appears in this excerpted leaf from the Magellanica chapter of the 1673 German edition of Arnoldus Montanus's account of the Americas.\u003c\/p\u003e\u003cp\u003eBeneath a broad palm, a man gripping a bow stands beside a woman holding up a bird, a small child at her side and a cloaked figure before them. In the distance, warriors with bows and spears fall upon a group of figures near a cluster of conical huts while a boat of rowers crosses the water. The figures follow the book's description, printed just below, of the people of Tierra del Fuego, who painted their bodies in many colors and wore cords about their necks. The same page recounts the fate of Pedro Sarmiento's settlements on the Strait of Magellan, abandoned to starvation. The reverse continues with the voyages of Olivier van Noort and of Schouten and Le Maire, whose expedition charted Cape Horn and the strait that bears Le Maire's name, along with a report of giants said to stand eleven feet tall.\u003c\/p\u003e\u003cp\u003eArnoldus Montanus (ca. 1625–1683), a Dutch minister and schoolmaster, compiled \u003cem\u003eDe Nieuwe en Onbekende Weereld\u003c\/em\u003e from earlier chronicles and travel accounts without ever crossing the Atlantic. The Amsterdam publisher Jacob van Meurs issued it in 1671 with a wealth of engravings. John Ogilby's English adaptation followed the same year, and \u003cem\u003eDie Unbekante Neue Welt\u003c\/em\u003e, the German edition attributed to Olfert Dapper, followed in 1673. Its illustrations were drawn by artists who had mostly never seen the Americas either. They mix reported detail with European invention, and they shaped how a generation of European readers pictured the New World.\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":43819333812285,"sku":"92420","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92420a.jpg?v=1792011058"},{"product_id":"engraving-of-aztec-men-in-feathered-dress","title":"1673 Engraving of Aztec Men in Feathered Dress","description":"\u003cp\u003eAn engraved scene of Aztec men in feathered dress appears in this excerpted leaf from the New Spain section of the 1673 German edition of Arnoldus Montanus's account of the Americas.\u003c\/p\u003e\u003cp\u003eBefore an arched building, a tall man crowned with feathers gestures with an arrow toward three seated companions, one of whom tends a smoking bowl beside a strung bow and a quiver of arrows. Their dress follows almost point for point the description of Aztec costume set beneath the image, from crowns of red feathers topped with tall plumes and feather collars broad enough to cover the shoulders to paired armbands, white hip cloths, and rings of plaited feathers below the knee. Just above that passage, the text closes an account of a festival in which a dough figure of the god was broken and shared among the people. The reverse turns to the ointment Aztec priests compounded from spiders, scorpions and snakes, to marriage rites in which the couple's garments were knotted together, and to the feast of Toxcatl held in honor of Tezcatlipoca.\u003c\/p\u003e\u003cp\u003eArnoldus Montanus (ca. 1625–1683), a Dutch minister and schoolmaster, compiled \u003cem\u003eDe Nieuwe en Onbekende Weereld\u003c\/em\u003e from earlier chronicles and travel accounts without ever crossing the Atlantic. The Amsterdam publisher Jacob van Meurs issued it in 1671 with a wealth of engravings. John Ogilby's English adaptation followed the same year, and \u003cem\u003eDie Unbekante Neue Welt\u003c\/em\u003e, the German edition attributed to Olfert Dapper, followed in 1673. Its illustrations were drawn by artists who had mostly never seen the Americas either. They mix reported detail with European invention, and they shaped how a generation of European readers pictured the New World.\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":43819333877821,"sku":"92421","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92421a_4c627ca3-0c88-4d4c-bb9a-92238c2d4dbc.jpg?v=1792011605"},{"product_id":"engraving-of-taino-turtle-fishing-and-a-spanish-landing-on-cuba","title":"1673 Engraving of Taíno Turtle Fishing and a Spanish Landing on Cuba","description":"\u003cp\u003eAn engraved scene of Taíno turtle fishing on the coast of Cuba appears in this excerpted leaf from the America's Discoverers section of the 1673 German edition of Arnoldus Montanus's account of the Americas.\u003c\/p\u003e\u003cp\u003eIn the foreground, Taíno fishermen in a canoe hunt a sea turtle with a \u003cem\u003eguaican\u003c\/em\u003e, which one of them grips in his hands as it latches onto the turtle's shell. Behind them, snakes hang from the trees along the shore and fish roast on a wooden rack outside two huts, while a band of men watches from the clifftop as Spanish soldiers and a boat of oarsmen approach from the anchored fleet. The scene matches the narrative on the reverse of Columbus's voyage along the coast of Cuba in 1494. There his men found fish roasting on spits beside empty huts, snakes hanging by cords from the trees, and some seventy men watching from a high rock. The same page describes the \u003cem\u003eguaican\u003c\/em\u003e itself, an eel-like fish with a great sacklike head that the Taíno used to seize fish and turtles. The text on the front recounts the founding of Isabela on Hispaniola, the remarkable fertility of its fields, and Columbus's march inland in search of gold, where he built the fort of Santo Tomás.\u003c\/p\u003e\u003cp\u003eArnoldus Montanus (ca. 1625–1683), a Dutch minister and schoolmaster, compiled \u003cem\u003eDe Nieuwe en Onbekende Weereld\u003c\/em\u003e from earlier chronicles and travel accounts without ever crossing the Atlantic. The Amsterdam publisher Jacob van Meurs issued it in 1671 with a wealth of engravings. John Ogilby's English adaptation followed the same year, and \u003cem\u003eDie Unbekante Neue Welt\u003c\/em\u003e, the German edition attributed to Olfert Dapper, followed in 1673. Its illustrations were drawn by artists who had mostly never seen the Americas either. They mix reported detail with European invention, and they shaped how a generation of European readers pictured the New World.\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":43819333910589,"sku":"92422","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92422a.jpg?v=1792011624"},{"product_id":"engraving-of-the-dutch-siege-of-porto-calvo-in-brazil","title":"1673 Engraving of the Dutch Siege of Porto Calvo in Brazil","description":"\u003cp\u003eAn engraved scene of the Dutch siege of Porto Calvo appears in this excerpted leaf from the Brazil chapter of the 1673 German edition of Arnoldus Montanus's account of the Americas.\u003c\/p\u003e\u003cp\u003eColumns of troops wind up a hillside toward a church and walled buildings beneath a mountain, while clouds of gunsmoke rise from the slopes. In the foreground, a massed body of pikemen advances under banners, a drummer beats a great drum, and musketeers with shouldered matchlocks file past officers in plumed hats standing beneath the palms. The engraving appears to show Johan Maurits of Nassau-Siegen's 1637 siege of the castle at Porto Calvo, the subject of the text on both sides of the leaf, and the smoke may stand for the hill forts that the Count of Bagnuolo had mined and that the Dutch found blown up and still smoking. The text below follows the siege to its thirteenth day, when, after bombardment from four batteries, the castle surrendered, yielding twenty-two bronze and five iron cannon from what the text calls the Spanish crown's arsenal in Brazil. The reverse covers Maurits's arrival at Recife in January 1637, the day of fasting and prayer he called before marching south, and his defeat of Bagnuolo outside Porto Calvo.\u003c\/p\u003e\u003cp\u003eArnoldus Montanus (ca. 1625–1683), a Dutch minister and schoolmaster, compiled \u003cem\u003eDe Nieuwe en Onbekende Weereld\u003c\/em\u003e from earlier chronicles and travel accounts without ever crossing the Atlantic. The Amsterdam publisher Jacob van Meurs issued it in 1671 with a wealth of engravings. John Ogilby's English adaptation followed the same year, and \u003cem\u003eDie Unbekante Neue Welt\u003c\/em\u003e, the German edition attributed to Olfert Dapper, followed in 1673. Its illustrations were drawn by artists who had mostly never seen the Americas either. They mix reported detail with European invention, and they shaped how a generation of European readers pictured the New World.\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":43819353473085,"sku":"92423","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92423a.jpg?v=1792012363"},{"product_id":"engraving-of-an-indigenous-brazilian-man-and-woman","title":"1673 Engraving of an Indigenous Brazilian Man and Woman","description":"\u003cp\u003eAn engraved scene of an Indigenous Brazilian man and woman appears in this excerpted leaf from the Brazil chapter of the 1673 German edition of Arnoldus Montanus's account of the Americas.\u003c\/p\u003e\u003cp\u003eA Brazilian woman and man stand in an open landscape, with a ship offshore and palms in the distance. The woman wears a broad flat hat, a bead necklace and a wrapped skirt tied with a sash, a long pipe tucked into it and a small basket in her hand; the man, nude but for a feathered cap, carries long darts across his shoulder and in his outstretched hand, while a figure sits behind him beneath a wide round sunshade. The pair follow the text beside them point for point, from the stone the man wears in his pierced lower lip, which the text calls \u003cem\u003emetara\u003c\/em\u003e, and his three long darts and feathered cap, to the reed tobacco pipe tucked into the band of the woman's apron. That description comes directly after the two Brazilians whom Pedro Álvares Cabral sent back to Portugal, so the pair appear to be those two. The same column recounts the discovery of Brazil, from the voyage it credits to Amerigo Vespucci in 1497 to Cabral's landing with thirteen ships. The reverse closes the Peru chapter with tales of Augustinian friars confronting local sorcerers and idols, then opens the Brazil chapter, explaining that Cabral named the land Santa Cruz because he found it on the feast of the Holy Cross, and that it was later named for brazilwood.\u003c\/p\u003e\u003cp\u003eArnoldus Montanus (ca. 1625–1683), a Dutch minister and schoolmaster, compiled \u003cem\u003eDe Nieuwe en Onbekende Weereld\u003c\/em\u003e from earlier chronicles and travel accounts without ever crossing the Atlantic. The Amsterdam publisher Jacob van Meurs issued it in 1671 with a wealth of engravings. John Ogilby's English adaptation followed the same year, and \u003cem\u003eDie Unbekante Neue Welt\u003c\/em\u003e, the German edition attributed to Olfert Dapper, followed in 1673. Its illustrations were drawn by artists who had mostly never seen the Americas either. They mix reported detail with European invention, and they shaped how a generation of European readers pictured the New World.\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":43819353767997,"sku":"92424","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92424a.jpg?v=1792012375"},{"product_id":"engraving-of-indigenous-brazilian-daily-life","title":"1673 Engraving of Indigenous Brazilian Daily Life","description":"\u003cp\u003eAn engraved scene of Indigenous Brazilian daily life appears in this excerpted leaf from the Brazil section of the 1673 German edition of Arnoldus Montanus's account of the Americas.\u003c\/p\u003e\u003cp\u003eBeneath a steep peak, two Brazilians meet in the foreground. On the left, a porter in a cloth cap carries a large woven basket slung from a strap across the forehead and a tray of produce in both hands; on the right, a man in a feathered headdress gestures toward the porter with one hand on his hip. Behind them, a seated man rests beside a quiver of arrows, another with a spear stands by a palisade, and figures lounge in a hammock slung between palms. The engraving appears to illustrate the text below on the Brazilians' \"form and manner,\" as its margin note puts it, which claims they grow tall early, age slowly and never go gray or bald, and that several households share a single palm-thatched hut shaped almost like an upturned club. The other column describes the mountainous interior, where thistles with hollow leaves hold dew and rain for the inhabitants to drink. The reverse turns to food and daily life: manioc flour tossed into the mouth with three fingers so that not a crumb falls, hammocks tied between two posts with a fire kept burning beside them, and drinks brewed from maize and pineapple.\u003c\/p\u003e\u003cp\u003eArnoldus Montanus (ca. 1625–1683), a Dutch minister and schoolmaster, compiled \u003cem\u003eDe Nieuwe en Onbekende Weereld\u003c\/em\u003e from earlier chronicles and travel accounts without ever crossing the Atlantic. The Amsterdam publisher Jacob van Meurs issued it in 1671 with a wealth of engravings. John Ogilby's English adaptation followed the same year, and \u003cem\u003eDie Unbekante Neue Welt\u003c\/em\u003e, the German edition attributed to Olfert Dapper, followed in 1673. Its illustrations were drawn by artists who had mostly never seen the Americas either. They mix reported detail with European invention, and they shaped how a generation of European readers pictured the New World.\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":43819354062909,"sku":"92425","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92425a.jpg?v=1792012390"},{"product_id":"engraving-of-balboas-war-dogs-at-quarequa","title":"1673 Engraving of Balboa's War Dogs at Quarequá","description":"\u003cp\u003eAn engraved scene of Balboa's war dogs at Quarequá appears in this excerpted leaf from the America's Discoverers chapter of the 1673 German edition of Arnoldus Montanus's account of the Americas.\u003c\/p\u003e\u003cp\u003eBeneath the arches of a columned hall, a Spaniard in a plumed hat, holding a round shield, points as war dogs maul men sprawled on the floor. One of the men throws up his arms in terror, musketeers look on from the right, and a man in a ruff bends over a fallen figure. Through the openings behind them, Spanish troops fire on a fleeing crowd. The engraving appears to show Vasco Núñez de Balboa at Quarequá (modern-day Panama) in 1513, the episode that ends the reverse. There the text says that six hundred of the inhabitants were cut down or torn apart by forty Spanish dogs. In the king's palace, Balboa found the king's brother and other men in women's clothing and had them thrown to the dogs for what the text calls the sin of sodomy. The text below carries Balboa on to the South Sea. It credits him as the first European to see it, from a mountain peak where he raised a heap of stones and a cross, and it follows him to the bay he named for St. Michael. The reverse opens with Pedrarias Dávila's voyage of 1514 and the starving colony at Veragua, where, the text says, a toad was bought for a great lump of gold.\u003c\/p\u003e\u003cp\u003eArnoldus Montanus (ca. 1625–1683), a Dutch minister and schoolmaster, compiled \u003cem\u003eDe Nieuwe en Onbekende Weereld\u003c\/em\u003e from earlier chronicles and travel accounts without ever crossing the Atlantic. The Amsterdam publisher Jacob van Meurs issued it in 1671 with a wealth of engravings. John Ogilby's English adaptation followed the same year, and \u003cem\u003eDie Unbekante Neue Welt\u003c\/em\u003e, the German edition attributed to Olfert Dapper, followed in 1673. Its illustrations were drawn by artists who had mostly never seen the Americas either. They mix reported detail with European invention, and they shaped how a generation of European readers pictured the New World.\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":43819753504829,"sku":"92426","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92426a.jpg?v=1792071451"},{"product_id":"engraving-of-an-indigenous-man-with-painted-skin-and-a-feathered-crown","title":"1673 Engraving of an Indigenous Man with Painted Skin and a Feathered Crown","description":"\u003cp\u003eAn engraved scene of an Indigenous man in a feathered crown appears in this excerpted leaf from the America's Discoverers chapter of the 1673 German edition of Arnoldus Montanus's account of the Americas.\u003c\/p\u003e\u003cp\u003eBeside a palm, a tall man in a crown of feathers stands with one hand on his hip and the other resting on a long bow, with an arrow slung across his body and a quiver at his waist. His skin is patterned all over, and round ornaments hang from his ears and are fastened to his chest and arms. Behind him, seated companions, one in a feathered headdress, point toward a hut, a shore with distant boats, and a hill topped by a tall post. The engraving is uncaptioned, and neither side of the leaf describes such a figure, so which people it is meant to show is unclear. The text below follows the feuds among Cortés's captains in Honduras. Cristóbal de Olid turned against Cortés at the bay the text calls Figueras and captured Francisco de las Casas and Gil González. The two prisoners stabbed him at supper, and he was beheaded. The reverse turns to Francisco de Garay's disastrous expedition to the Pánuco River, where, the text claims, the inhabitants feasted on 250 roasted Spaniards. It also covers the wealth of Cortés's court, which could afford to cast a cannon of pure gold.\u003c\/p\u003e\u003cp\u003eArnoldus Montanus (ca. 1625–1683), a Dutch minister and schoolmaster, compiled \u003cem\u003eDe Nieuwe en Onbekende Weereld\u003c\/em\u003e from earlier chronicles and travel accounts without ever crossing the Atlantic. The Amsterdam publisher Jacob van Meurs issued it in 1671 with a wealth of engravings. John Ogilby's English adaptation followed the same year, and \u003cem\u003eDie Unbekante Neue Welt\u003c\/em\u003e, the German edition attributed to Olfert Dapper, followed in 1673. Its illustrations were drawn by artists who had mostly never seen the Americas either. They mix reported detail with European invention, and they shaped how a generation of European readers pictured the New World.\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":43819753537597,"sku":"92427","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92427a_c48592ab-6ee9-430b-b219-7206970139cf.jpg?v=1792071482"},{"product_id":"engraving-of-an-indigenous-archer-and-figures-in-feathered-cloaks","title":"1673 Engraving of an Indigenous Archer and Figures in Feathered Cloaks","description":"\u003cp\u003eAn engraved scene of an Indigenous archer and figures in feathered cloaks appears in this excerpted leaf from the America's Discoverers section of the 1673 German edition of Arnoldus Montanus's account of the Americas.\u003c\/p\u003e\u003cp\u003eOn a wooded plain where long-horned animals graze beneath palms, an archer, bare but for a loincloth and with a quiver at his hip, draws a bow hung with feathers. To the left stand two figures in cloaks of layered feathers, one with a striped headcloth and strings of beads. At right, a group in feathered headdresses and striped garments points and gestures toward the archer. The figures appear to illustrate the text below, which a margin note labels \"the dress of the Mexicans.\" It describes commoners who go almost naked before their lords, covered only at the loins and armed with bows and arrows, while the nobles wear strings of pearls, costly caps hung with two bands, and multicolored cotton robes reaching to the calf. The same column mentions the lawyer sent from Spain to knight Cortés in the Order of Santiago, then opens the account of Diego Gutiérrez's 1540 voyage as governor of New Cartago. The reverse follows Gutiérrez inland. He threatened to roast the chief Camachire alive unless he filled a chest with gold six times over, and another captive told him he could not understand how the earth could bear such Christians.\u003c\/p\u003e\u003cp\u003eArnoldus Montanus (ca. 1625–1683), a Dutch minister and schoolmaster, compiled \u003cem\u003eDe Nieuwe en Onbekende Weereld\u003c\/em\u003e from earlier chronicles and travel accounts without ever crossing the Atlantic. The Amsterdam publisher Jacob van Meurs issued it in 1671 with a wealth of engravings. John Ogilby's English adaptation followed the same year, and \u003cem\u003eDie Unbekante Neue Welt\u003c\/em\u003e, the German edition attributed to Olfert Dapper, followed in 1673. Its illustrations were drawn by artists who had mostly never seen the Americas either. They mix reported detail with European invention, and they shaped how a generation of European readers pictured the New World.\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":43819753570365,"sku":"92428","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92428a.jpg?v=1792070519"},{"product_id":"engraving-of-indigenous-goldsmiths-of-quito-at-work","title":"1673 Engraving of Indigenous Goldsmiths of Quito at Work","description":"\u003cp\u003eAn engraved scene of Indigenous goldsmiths of Quito at work appears in this excerpted leaf from the Origins of the Americans chapter of the 1673 German edition of Arnoldus Montanus's account of the Americas.\u003c\/p\u003e\u003cp\u003eBeneath a palm heavy with fruit, metalworkers in feathered headbands crowd around a smoking fire. Several reach into it with long pipes, one carries a crucible across on a pair of sticks, and another, seated on a rock, pours molten metal from a pot. In the distance, a train of laden llamas winds over the hills. The scene appears to illustrate the account on the reverse, which the text attributes to Girolamo Benzoni, of the gold- and silversmiths of Quito, who worked without iron tools. According to the text, they shaped a crucible from a woolen rag coated with clay and ground charcoal and dried it in the sun. Then six or more men blew on the fire through reed pipes until the metal melted. The text below asks how the first Americans reached the New World, by land or by sea, deliberately or driven by storms. It argues that Mexico's lack of ancient monuments does not prove its people are newcomers. The reverse also rebuts Samuel Purchas, arguing that the Americas were peopled many centuries earlier, soon after the confusion of tongues at Babel.\u003c\/p\u003e\u003cp\u003eArnoldus Montanus (ca. 1625–1683), a Dutch minister and schoolmaster, compiled \u003cem\u003eDe Nieuwe en Onbekende Weereld\u003c\/em\u003e from earlier chronicles and travel accounts without ever crossing the Atlantic. The Amsterdam publisher Jacob van Meurs issued it in 1671 with a wealth of engravings. John Ogilby's English adaptation followed the same year, and \u003cem\u003eDie Unbekante Neue Welt\u003c\/em\u003e, the German edition attributed to Olfert Dapper, followed in 1673. Its illustrations were drawn by artists who had mostly never seen the Americas either. They mix reported detail with European invention, and they shaped how a generation of European readers pictured the New World.\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":43819762810941,"sku":"92429","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92429a.jpg?v=1792070534"},{"product_id":"engraving-of-peruvians-tending-llamas","title":"1673 Engraving of Peruvians Tending Llamas","description":"\u003cp\u003eAn engraved scene of Peruvians tending llamas appears in this excerpted leaf from the Origins of the Americans chapter of the 1673 German edition of Arnoldus Montanus's account of the Americas.\u003c\/p\u003e\u003cp\u003eIn a mountain valley, men in feathered headdresses tend a group of llamas. One strokes the neck of a dark llama, another raises a hand beside a llama lying on the ground, and spear-bearers stand by a fenced pen. More llamas graze on the slopes behind, where two archers draw their bows. The engraving follows the text below, which quotes José de Acosta on the llama. Found only in Peru, it carries loads, lives on the grass along the roads, and comes in two kinds, the woolly \u003cem\u003epaco\u003c\/em\u003e and the short-haired \u003cem\u003emoromoro\u003c\/em\u003e. The text adds that a tired llama will stare at its drivers as if to devour them. The \u003cem\u003epaco\u003c\/em\u003e sometimes collapses under its load and will not stir even if cut to pieces, so the best remedy is to sit beside it and stroke it until it rises on its own. The engraving appears to show that moment. The reverse belongs to the book's debate on where the Americans came from. It sets out Hugo Grotius's case for a Norse origin, built partly on word likenesses such as llama and the German \u003cem\u003eLam\u003c\/em\u003e, and Johannes de Laet's rebuttal.\u003c\/p\u003e\u003cp\u003eArnoldus Montanus (ca. 1625–1683), a Dutch minister and schoolmaster, compiled \u003cem\u003eDe Nieuwe en Onbekende Weereld\u003c\/em\u003e from earlier chronicles and travel accounts without ever crossing the Atlantic. The Amsterdam publisher Jacob van Meurs issued it in 1671 with a wealth of engravings. John Ogilby's English adaptation followed the same year, and \u003cem\u003eDie Unbekante Neue Welt\u003c\/em\u003e, the German edition attributed to Olfert Dapper, followed in 1673. Its illustrations were drawn by artists who had mostly never seen the Americas either. They mix reported detail with European invention, and they shaped how a generation of European readers pictured the New World.\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":43819762876477,"sku":"92430","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92430a.jpg?v=1792070548"},{"product_id":"engraving-of-pinzons-men-capturing-a-strange-beast","title":"1673 Engraving of Pinzón's Men Capturing a Strange Beast","description":"\u003cp\u003eAn engraved scene of Pinzón's men capturing a strange beast appears in this excerpted leaf from the America's Discoverers section of the 1673 German edition of Arnoldus Montanus's account of the Americas.\u003c\/p\u003e\u003cp\u003eIn a palm forest by the sea, with a ship lying offshore, a large long-tailed animal with a heavy pouch beneath its belly noses at a tree while two young forage at its feet. Spaniards in broad hats close in from behind the trunks, one readying a noose. The scene follows the text below on Vicente Yáñez Pinzón's voyage of 1499–1500. Among trees so thick that sixteen men could not encircle them, he found a wondrous animal with a fox's forequarters, a monkey's hindquarters, nearly human feet and ears like an owl's, which carried its young in a pouch under its belly. The creature is widely identified as an opossum. Pinzón caught one with three young. The young died on the way, but the mother reached the Spanish king at Granada alive. The same page tells of footprints twice the size of a man's and a skirmish in which eight Spaniards were lost. The reverse follows Pinzón through a storm so severe that his men proposed killing one another, then opens Amerigo Vespucci's voyage to Paria.\u003c\/p\u003e\u003cp\u003eArnoldus Montanus (ca. 1625–1683), a Dutch minister and schoolmaster, compiled \u003cem\u003eDe Nieuwe en Onbekende Weereld\u003c\/em\u003e from earlier chronicles and travel accounts without ever crossing the Atlantic. The Amsterdam publisher Jacob van Meurs issued it in 1671 with a wealth of engravings. John Ogilby's English adaptation followed the same year, and \u003cem\u003eDie Unbekante Neue Welt\u003c\/em\u003e, the German edition attributed to Olfert Dapper, followed in 1673. Its illustrations were drawn by artists who had mostly never seen the Americas either. They mix reported detail with European invention, and they shaped how a generation of European readers pictured the New World.\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":43819769528381,"sku":"92431","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92431a.jpg?v=1792070560"},{"product_id":"engraving-of-indigenous-people-of-paria-with-a-hammock","title":"1673 Engraving of Indigenous People of Paria with a Hammock","description":"\u003cp\u003eAn engraved scene of Indigenous people of Paria with a hammock appears in this excerpted leaf from the America's Discoverers chapter of the 1673 German edition of Arnoldus Montanus's account of the Americas.\u003c\/p\u003e\u003cp\u003eIn the center of the scene, a line strung between two trees is hung with fish, fishhooks, gourds and baskets. Beneath it, two figures recline in a hammock while a seated man in a feathered headdress, a club at his side, holds out a round fruit toward them. At right, a woman carries a dish of produce on her shoulder and a tray of fish in her hand, and ships ride at anchor on the sea behind.\u003c\/p\u003e\u003cp\u003eThe scene matches the reverse, which follows Vespucci's account of the people of Paria. They slept in cotton nets hung between two posts, with a gentle fire beneath at night and fish, fishing gear, gourds and baskets hung on a pole above. Vespucci, the text adds, tried one himself and slept very well. The text below describes bell-shaped houses of great beams thatched with palm leaves, some holding six hundred people. It reckons their wealth in colored feathers and strings of fish bone and green and white stones rather than gold or pearls. It goes on to their burials, including the custom of carrying the dying into the forest in a hanging net and dancing around them for a whole day.\u003c\/p\u003e\u003cp\u003eArnoldus Montanus (ca. 1625–1683), a Dutch minister and schoolmaster, compiled \u003cem\u003eDe Nieuwe en Onbekende Weereld\u003c\/em\u003e from earlier chronicles and travel accounts without ever crossing the Atlantic. The Amsterdam publisher Jacob van Meurs issued it in 1671 with a wealth of engravings. John Ogilby's English adaptation followed the same year, and \u003cem\u003eDie Unbekante Neue Welt\u003c\/em\u003e, the German edition attributed to Olfert Dapper, followed in 1673. Its illustrations were drawn by artists who had mostly never seen the Americas either. They mix reported detail with European invention, and they shaped how a generation of European readers pictured the New World.\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":43826372214845,"sku":"92432","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92432a.jpg?v=1792070605"},{"product_id":"engraving-of-a-human-sacrifice-at-a-stone-lion-idol","title":"1673 Engraving of a Human Sacrifice at a Stone Lion Idol","description":"\u003cp\u003eAn engraved scene of a human sacrifice at a stone lion idol appears in this excerpted leaf from the America's Discoverers section of the 1673 German edition of Arnoldus Montanus's account of the Americas.\u003c\/p\u003e\u003cp\u003eBefore a landscape dotted with idols on pedestals, a body lies across the shoulders of a great stone lion, its blood streaming into a stone trough as a pale standing figure leans over it. To the right, worshippers in feathered headdresses gather at a fire beside a towering crowned idol flanked by monkey-faced figures. Skulls, ribs and bones lie scattered in the foreground.\u003c\/p\u003e\u003cp\u003eThe scene follows the text below almost exactly: it describes a ritual wherein a lion stood among various idols with a man on its shoulders, his throat cut so that his blood ran into a stone trough, and an alabaster figure bent over the trough to look at the blood. The text says the victims were captives from neighboring lands, whose hearts were cut out and smeared on the lips of the idols. It then describes Potonchan, capital of the Tabascans, with more than five thousand houses of baked brick. The Spaniards marveled at how the Tabascans sealed alliances by drawing blood from their tongues, hands and arms, before the expedition returned to Cuba. The reverse turns to Bartolomé de las Casas, whom the text calls a bishop, and his failed colony at Cumaná, settled with three hundred Spanish farmers he had dressed as knights bearing red crosses. It closes with the opening of Magellan's voyage.\u003c\/p\u003e\u003cp\u003eArnoldus Montanus (ca. 1625–1683), a Dutch minister and schoolmaster, compiled \u003cem\u003eDe Nieuwe en Onbekende Weereld\u003c\/em\u003e from earlier chronicles and travel accounts without ever crossing the Atlantic. The Amsterdam publisher Jacob van Meurs issued it in 1671 with a wealth of engravings. John Ogilby's English adaptation followed the same year, and \u003cem\u003eDie Unbekante Neue Welt\u003c\/em\u003e, the German edition attributed to Olfert Dapper, followed in 1673. Its illustrations were drawn by artists who had mostly never seen the Americas either. They mix reported detail with European invention, and they shaped how a generation of European readers pictured the New World.\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":43826372280381,"sku":"92433","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92433a.jpg?v=1792070638"},{"product_id":"engraving-of-spaniards-on-an-erupting-popocatepetl","title":"1673 Engraving of Spaniards on an Erupting Popocatépetl","description":"\u003cp\u003eAn engraved scene of Spaniards on an erupting Popocatépetl appears in this excerpted leaf from the America's Discoverers chapter of the 1673 German edition of Arnoldus Montanus's account of the Americas.\u003c\/p\u003e\u003cp\u003eThe scene shows two peaks erupting at once, hurling smoke and boulders into the sky, while Spaniards on the slopes are struck down by falling rocks or flee downhill. In the foreground, Indigenous men in feathered headdresses cower and shield their heads, and at right a commander in a plumed hat watches with a company of pikemen and musketeers. The scene appears to show the Spaniards' attempt on Popocatépetl, described across both sides of the leaf.\u003c\/p\u003e\u003cp\u003eThe reverse, after Cortés's conquest of Tlaxcala and the plot he uncovered at Cholula, names the twin-peaked mountain eight miles from Tenochtitlan and explains that \u003cem\u003epopoca\u003c\/em\u003e means smoke and \u003cem\u003etepeke\u003c\/em\u003e mountain. It tells how ten Spaniards set out to climb it. Ash lay knee-deep, but two reached the crater, which the text puts at a mile and a half across, as the mountain shook and glowing stones flew out. The text below says the two survived only by sheltering behind a hollow hill. The inhabitants, who believed their dead kings were tormented in the flames with a thousand devils for their wickedness, brought them gifts. It then follows Cortés to Iztapalapa and the walled causeway across the lake to Tenochtitlan.\u003c\/p\u003e\u003cp\u003eArnoldus Montanus (ca. 1625–1683), a Dutch minister and schoolmaster, compiled \u003cem\u003eDe Nieuwe en Onbekende Weereld\u003c\/em\u003e from earlier chronicles and travel accounts without ever crossing the Atlantic. The Amsterdam publisher Jacob van Meurs issued it in 1671 with a wealth of engravings. John Ogilby's English adaptation followed the same year, and \u003cem\u003eDie Unbekante Neue Welt\u003c\/em\u003e, the German edition attributed to Olfert Dapper, followed in 1673. Its illustrations were drawn by artists who had mostly never seen the Americas either. They mix reported detail with European invention, and they shaped how a generation of European readers pictured the New World.\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":43826372313149,"sku":"92434","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92434a_c8b70f5f-d98d-4225-ae90-5a3777942e7a.jpg?v=1792070694"},{"product_id":"engraving-of-inuit-and-a-kayak-from-frobishers-voyages","title":"1673 Engraving of Inuit and a Kayak from Frobisher's Voyages","description":"\u003cp\u003eAn engraved scene of Inuit and a kayak from Frobisher's voyages appears in this excerpted leaf from the America's Discoverers section of the 1673 German edition of Arnoldus Montanus's account of the Americas.\u003c\/p\u003e\n\u003cp\u003eBeside a tent pitched beneath a palm, three figures in hooded fur coats stand together, one holding a spear. On the water beyond, a paddler in a long, pointed boat raises a bow, while arrows and birds fly toward a rocky headland and a ship lies offshore.\u003c\/p\u003e\n\u003cp\u003eThe engraving appears to illustrate the text below on the people Martin Frobisher met in the far north of America. Tents like the one seen here are described as being woven of whalebone and covered with stretched hides, with their doors always facing south. Their largest boats are said to carry seventy people. The smaller ones were of leather, shaped almost like a weaver's shuttle, with a hole in the middle where a single man sat, laced the leather cover around his waist, and drove the boat along very fast with one oar. The text calls the land barren, home only to deer, wolves, hares, polar bears and wolf-like dogs, all eaten raw. Frobisher returned to Milford Haven with shining stones he took for gold and with a man, a woman, and a child the text names Kalichoe, Egnoge and Nutiok, all of whom soon died in London. The reverse follows Francis Drake's voyages. In one, a king crowned Drake with a golden crown, and in another the English found the Spanish king's arms at Santo Domingo with the motto \u003cem\u003eNon sufficit orbis\u003c\/em\u003e, \"the world is not enough.\" It goes on to the voyages of Thomas Cavendish and John Smith.\u003c\/p\u003e\n\u003cp\u003eArnoldus Montanus (ca. 1625–1683), a Dutch minister and schoolmaster, compiled \u003cem\u003eDe Nieuwe en Onbekende Weereld\u003c\/em\u003e from earlier chronicles and travel accounts without ever crossing the Atlantic. The Amsterdam publisher Jacob van Meurs issued it in 1671 with a wealth of engravings. John Ogilby's English adaptation followed the same year, and \u003cem\u003eDie Unbekante Neue Welt\u003c\/em\u003e, the German edition attributed to Olfert Dapper, followed in 1673. Its illustrations were drawn by artists who had mostly never seen the Americas either. They mix reported detail with European invention, and they shaped how a generation of European readers pictured the New World.\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":43826378702909,"sku":"92435","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92435a.jpg?v=1792070710"},{"product_id":"engraving-of-chilean-herders-with-long-necked-sheep-and-an-ox-rider","title":"1673 Engraving of Chilean Herders with Long-Necked Sheep and an Ox Rider","description":"\u003cp\u003eAn engraved scene of Chilean herders with long-necked sheep and an ox rider appears in this excerpted leaf from the America's Discoverers chapter of the 1673 German edition of Arnoldus Montanus's account of the Americas.\u003c\/p\u003e\n\u003cp\u003eIn the center of the scene, a long-haired rider sits on a horned ox and holds up two disks ringed with bells. A child clings behind her, and a man in a feathered headband leads the ox by a rope. To the left, a man with a bow stands beside a figure carrying a tray, and between them graze long-necked, woolly animals.\u003c\/p\u003e\n\u003cp\u003eThe engraving follows the text below on the animals and herders the Dutch met during Joris van Spilbergen's voyage along the coast of Chile. The text describes a strange sheep with a long neck, a hump like a camel's, a hare-lipped mouth and long legs, used for farming and carrying loads, with some owners grazing as many as eight hundred. The shepherdesses are said to ride animals much like oxen and hold copper lids hung with bells, which they shake in rhythm to drive the sheep in or out. Shepherds wear tall feathers on their heads, servants walk ahead, and children sit behind the shepherdess. The same page follows Spilbergen past Isla Santa María and Valparaíso where he burned Spanish villages and into a night battle against Rodrigo de Mendoza's fleet. The text says a Spanish nobleman kept hauling down the white flag of surrender because he would rather die than yield. The reverse closes Olivier van Noort's circumnavigation. It tells the story of a Spanish captain who threw ten thousand pounds of gold overboard in fifty-two chests rather than let the ship be taken. The reverse then opens Spilbergen's voyage for the Dutch East India Company.\u003c\/p\u003e\n\u003cp\u003eArnoldus Montanus (ca. 1625–1683), a Dutch minister and schoolmaster, compiled \u003cem\u003eDe Nieuwe en Onbekende Weereld\u003c\/em\u003e from earlier chronicles and travel accounts without ever crossing the Atlantic. The Amsterdam publisher Jacob van Meurs issued it in 1671 with a wealth of engravings. John Ogilby's English adaptation followed the same year, and \u003cem\u003eDie Unbekante Neue Welt\u003c\/em\u003e, the German edition attributed to Olfert Dapper, followed in 1673. Its illustrations were drawn by artists who had mostly never seen the Americas either. They mix reported detail with European invention, and they shaped how a generation of European readers pictured the New World.\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":43826378801213,"sku":"92436","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92436a.jpg?v=1792071152"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/collections\/92420a.jpg?v=1793747172","url":"https:\/\/nwcartographic.com\/collections\/prints-indigenous-cultures.oembed?page=4","provider":"New World Cartographic","version":"1.0","type":"link"}