{"title":"Harper's Weekly","description":"\u003cp\u003eRemarkable covers, illustrations, and supplements to Harper's Weekly.\u003cbr\u003e\u003c\/p\u003e","products":[{"product_id":"the-new-board-of-trade-in-chicag1885","title":"1885 The New Board of Trade in Chicago","description":"\u003cp\u003eThis original print is out of the May issue of Harper's Weekly from 1885.  The print shows five separate pictures of the board of trade, the opening exercises in the New Hall, fire-place, Promenade Concert, the New building and a communist demonstration on the night of April 28th.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":31510662676541,"sku":"90031","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/products\/20200127_185647.jpg?v=1736981460"},{"product_id":"slippery-hill-of-georgia","title":"\"The Slippery Hill of Georgia\"","description":"\u003cp\u003ePolitical Cartoon: \"Once upon a short time, there was an upright Hill (against the 90 cent dollar), but \"He\" caved in (on the veto on the 90 cent dollar). N.B. (\"Beast Butler\"), the gentleman from Massachusetts looking for the late eruption of virtue. From \"Harper's Weekly\" Journal of Civilization.\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":33011687882813,"sku":"70857","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/products\/MDS00055.jpg?v=1736981074"},{"product_id":"political-cartoon-from-harpers-weekly-journal-of-civilization","title":"\"Our National Honor is Pledged\"","description":"\u003cp\u003eThis is a Political Cartoon from \"Harper's Weekly\", Journal of Civilization published April 6, 1878. \"Black \u0026amp; white print of Uncle Sam whittling.  \u003cstrong\u003e\"Our National Honor is Pledged\"\u003c\/strong\u003e. \"Smart Uncle, the international arbitration in the Alabama case was all right, but quite another thing\". A haggard-looking Uncle Sam is seen smoking and leaning against a post, whittling away at a stick with a Dollar sign on it, using a knife marked with U.S.\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":33011699253309,"sku":"70858","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/products\/MDS00056.jpg?v=1736981073"},{"product_id":"freedom-jubilee-pardon","title":"\"Freedom Jubilee \u0026 Pardon\"","description":"\u003cp\u003e\u003cspan\u003eThis is a newsprint from\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eHarper's Weekly,  Journal of Civilization\u003c\/strong\u003e\u003cspan\u003e of a political cartoon, titled Freedom, Jubilee, \u0026amp; Pardon.  \"He is doing unto others as he would have done unto him.\"  Governor Moses  is handing out Pardons to minorities dressed in prison garb.\u003c\/span\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":33011706626109,"sku":"70859","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/products\/MDS00057.jpg?v=1736981072"},{"product_id":"manhood-honor-should-have-hare-hearts-shakespeare","title":"\"Manhood \u0026 Honor Should have Hare Hearts\" - Shakespeare.","description":"\u003cp\u003eBy:  Thomas Nast\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDate:  April 13, 1878\u003c\/p\u003e\n\u003cp\u003eSize:  10 1\/4 x 15 1\/2 inches\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is a print from \"Harper's Weekly\", titled \"Manhood \u0026amp; Honor Should have Hare Hearts\". \"The People can do no wrong.\" Pertaining to the Silver Bill and triple standard of gold, silver, \u0026amp; copper. The will of the people has killed the refunding of our debt, of about $17,000,000.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCondition:  Good\u003c\/p\u003e\n\u003cp\u003e#70860\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":33011709771837,"sku":"70860","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/products\/MDS00058.jpg?v=1736981071"},{"product_id":"home-sweet-home-theres-no-place-like-home","title":"\"Home Sweet Home! There's No Place Like Home!\"","description":"\u003cp\u003e\u003cspan\u003eThis is a political cartoon print, from Harper's Weekly. \u003cem\u003e\"Home Sweet Home! There's No Place Like Home! Destroyer of All.  Home ties are nothing.  Family ties are nothing. Every thing that is--is nothing.\" \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis cartoon depicts a dressed skeleton, with a hat and Communism banner across his chest. On his hat, is a button which says, \u003cem\u003e\"Free Love\"\u003c\/em\u003e,   He appears to be consoling an elderly couple, holding a baby.  In front of the couple on the floor, is a hatchet, which apparently has be used to kill a small serpent.\u003c\/span\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":33011742736445,"sku":"70863","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/products\/MDS00061.jpg?v=1736981069"},{"product_id":"fire-water-make-vapor-what-a-cooling-off-will-be-there-my-countrymen","title":"\"Fire \u0026 Water Make Vapor.  What a cooling off will be there my countrymen\"!","description":"\u003cp\u003e\u003cspan\u003eThis is a black \u0026amp; white print of a rather complex political cartoon, from \"Harper's Weekly\". This cartoon depicts 2 men, one is pouring ice water, from a pitcher labelled \"Cincinnati Commercial\".  The gentleman being doused with cold water has cards flying out of his pockets and a card in his pocket saying \"Red Hot for Tilden\". In front of the 2 men is a Spittoon with \"Reform is Necessary\" on the front. \u003c\/span\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":33011748175933,"sku":"70864","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/products\/MDS00062.jpg?v=1736981068"},{"product_id":"the-web-of-ruin","title":"\"The Web of Ruin\"","description":"\u003cp\u003e\u003cspan\u003eThis political cartoon depicts the relationship of Crime in New York City, from Harper's Weekly.  The head of the spider is of a Mob Boss, with two rings:  Canal and Tammany, on opposite sides.\u003c\/span\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":33011767705661,"sku":"70866","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/products\/MDS00064.jpg?v=1736981066"},{"product_id":"les-deux-presidents-elysee","title":"\"Les Deux Presidents-Elysee\"","description":"\u003cp\u003e\u003cspan\u003eThis is a print of U.S. Grant to M'Mahon, \"You will be accustomed to submitting:  the President of a Republic must.  And as for considering this an insult (submit or resign).  From \"Harper's Weekly\" This cartoon depicts two Presidents, Grant and M'Mahon sitting, smoking, drinking.\u003c\/span\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":33011779141693,"sku":"70868","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/products\/MDS00066.jpg?v=1736981065"},{"product_id":"butler-on-the-trained-democratic-steed-buncombe","title":"\"The Well-Known Turncoat Trick-the Veteran Butler on the trained Democratic Steed \"Buncombe.\"","description":"\u003cp\u003e\u003cspan\u003eThis cover print from \"Harper's Weekly\", depicts a circus scene at the Worcester Democratic Convention. Butler is seen standing on the horse, tossing his coat into the ring, while two clowns watch on the side.\u003c\/span\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":33011783499837,"sku":"70869","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/products\/MDS00067.jpg?v=1736981064"},{"product_id":"12147","title":"1883 Harper's Weekly: Building the Brooklyn Bridge","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThese are original engravings from an issue of \u003cem\u003eHarper’s Weekly Journal of Civilization\u003c\/em\u003e, published on May 26, 1883. All four prints detail the construction and grand opening of the Brooklyn Bridge, which took place just two days before publication of the prints on May 24, 1883. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Cover Page\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e shows the New York (Manhattan) entrance to the Brooklyn Bridge, and includes a portrait of the designer of the bridge, German-American civil engineer J.A. Roebling.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003ePage 325\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e shows two views of the Brooklyn Bridge––one of the arches which pedestrians can pass through on the street; and another showing the anchoring of the bridge with cables during construction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003ePage 328\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e shows the bridge from the New York side, and gives a great view of the pedestrian walkway, cable car lines, and carriage paths that were on the bridge when it first opened. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003ePage 329\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e shows the Brooklyn entrance to the bridge. Heavily ornamented and with large glass panels, the entrance recalls the Crystal Palace at the Great Exhibition (the first World’s Fair) in London in 1851. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003ePublished just two days after the grand opening of the Brooklyn Bridge, these engravings are a fascinating look at one of America’s most famous bridges.\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Cover Page","offer_id":39870516527165,"sku":"12147-1","price":75.0,"currency_code":"USD","in_stock":true},{"title":"Page 325","offer_id":39870516559933,"sku":"12147-2","price":75.0,"currency_code":"USD","in_stock":false},{"title":"Page 328","offer_id":39870516592701,"sku":"12147-3","price":75.0,"currency_code":"USD","in_stock":false},{"title":"Page 329","offer_id":39870516625469,"sku":"12147-4","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/products\/12147-1a.jpg?v=1736980529"},{"product_id":"90258","title":"Grand Central Depot in Chicago","description":"\u003cp\u003eThis is an original, hand-colored, antique print of the Grand Central Depot in Chicago, Illinois from the September 12, 1891 issue of Harper's Weekly.  \u003c\/p\u003e\n\u003cp\u003eGrand Central Depot was a passenger railroad terminal in downtown Chicago, Illinois, from 1890 to 1969. It was located at 201 West Harrison Street on a block bounded by Harrison, Wells and Polk Streets and the Chicago River in the southwestern portion of the Chicago Loop. The print shows the interior, exterior and waiting room of the depot.\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":40843573329981,"sku":"90258","price":75.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/FullSizeRender_1fbe0281-a4d6-4451-8913-b1b33847963e.heic?v=1736979876"},{"product_id":"90262","title":"The LaSalle Street Tunnel Under The Chicago River","description":"\u003cp\u003ePublished in the May 24, 1890 edition of Harper's Weekly, this print shows two men traveling on the trolley under the Chicago River. \u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":40857183780925,"sku":"90262","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/FullSizeRender_8da7a9dc-7b01-40b1-813a-ea2ffc0480cb.heic?v=1736979869"},{"product_id":"92107-1","title":"The Advance-Guard, or the Military Sacrifice","description":"\u003cp\u003eThis is an original lithograph print of Frederic Remington's painting \"The Advance-Guard, or the Military Sacrifice\". The print was published by Harper's Weekly out of New York City. The scene depicts three Cavalrymen on horseback, with one being shot, as his rifle is on the ground. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e was an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. He is known for being one of the first American artists to illustrate the true gait of the horse in motion and the galloping horse became Remington's signature subject, which was copied and interpreted by many subsequent Western artists. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarper's Magazine\u003c\/strong\u003e was a weekly magazine which debuted in June of 1850.  Although the earliest issues consisted largely of material that had already been published in England, the magazine soon began to print the work of American artists and writers - among them Horatio Alger, Stephen A. Douglas, Theodore Dreiser, Horace Greeley, Winslow Homer, Jack London, John Muir, Frederick Remmington, and Mark Twain.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":40986084638781,"sku":"92108","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92108a.jpg?v=1736979810"},{"product_id":"92107","title":"Driving Cattle into a Corral in the Far West","description":"\u003cp\u003eThis is an original lithograph print by W. J. Palmer, \"Driving Cattle in a Corral in the Far West\". The print was published by Harper's Weekly in 1875 out of New York City. The scene depicts cattle drivers, consisting of Indians and Cowboys, with airborne whips used to corral the multitude of cattle into the corral. The excitement is visible to the viewer of this dynamic scene. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarper's Magazine\u003c\/strong\u003e was a weekly magazine which debuted in June of 1850.  Although the earliest issues consisted largely of material that had already been published in England, the magazine soon began to print the work of American artists and writers - among them Horatio Alger, Stephen A. Douglas, Theodore Dreiser, Horace Greeley, Winslow Homer, Jack London, John Muir, Frederick Remmington, and Mark Twain.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":40986106921021,"sku":"92107","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92107a.jpg?v=1736979809"},{"product_id":"92109","title":"Halt of a Wagon Train","description":"\u003cp\u003eThis is an original lithograph print by Winslow Homer, \"Halt of a Wagon Train\". The print was published by Harper's Weekly out of New York City. The scene depicts a Wagon Train at rest, with a group of men surrounding a campfire. In the front, you witness someone sleeping near the warmth, all bundled up.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWinslow Homer\u003c\/strong\u003e was an American landscape artist and illustrator, best known for his marine subjects.  He is considered one of the foremost painter of 19th century America and a preeminent figure in American art in general.\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eHarper's Magazine\u003c\/strong\u003e was a weekly magazine which debuted in June of 1850.  Although the earliest issues consisted largely of material that had already been published in England, the magazine soon began to print the work of American artists and writers - among them Horatio Alger, Stephen A. Douglas, Theodore Dreiser, Horace Greeley, Winslow Homer, Jack London, John Muir, Frederick Remmington, and Mark Twain.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":40986135691325,"sku":"92109","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92109a.jpg?v=1736979808"},{"product_id":"92112","title":"Airing a Complaint","description":"\u003cp\u003eThis is an original lithograph print from the painting by Frederic Remington. The scene depicts two men , one with arms raised, speaking excitedly to a Cavalry man, who 's holding onto his horse's reigns. In the background are a large group of Indians, passively observing this exchange of words. The Indians appear to be backed by Cavalry men on horses, as if standing guard. It leaves the viewer unaware of the exact reason for this encounter, as we are merely spectators.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. He is known for being one of the first American artists to illustrate the true gait of the horse in motion and the galloping horse became Remington's signature subject, which was copied and interpreted by many subsequent Western artists.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHarper's Magazine\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e was a weekly magazine which debuted in June of 1850.  Although the earliest issues consisted largely of material that had already been published in England, the magazine soon began to print the work of American artists and writers - among them Horatio Alger, Stephen A. Douglas, Theodore Dreiser, Horace Greeley, Winslow Homer, Jack London, John Muir, Frederic Remington, and Mark Twain.\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":40988135784509,"sku":"92112","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92112a.jpg?v=1736979798"},{"product_id":"92113","title":"All Off in a Bunch","description":"\u003cp\u003eThis is an original lithograph print from the painting by Frederick Remmington. This, and other paintings in Remington's article for Harper's Weekly, \"Coaching in Chihuahua\", refer to the artist's sojourn at the vast Bavicora ranch in Mexico. His essay is a humorous look back at what he insists is his last trip back by stagecoach.  The trip was hot, dusty, dangerous, and disagreeable.\u003c\/p\u003e\n\u003cp\u003eThe lively scene depicts a stagecoach with two passengers (one masked) inside, and 3 Mexican drivers. Another Mexican is on the side of the road, perhaps observing the uncontrollable six horses leading the wagon.  Frederick Remington's signature appears in the lower left.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. He is known for being one of the first American artists to illustrate the true gait of the horse in motion and the galloping horse became Remington's signature subject, which was copied and interpreted by many subsequent Western artists.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHarper's Magazine\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e was a weekly magazine which debuted in June of 1850.  Although the earliest issues consisted largely of material that had already been published in England, the magazine soon began to print the work of American artists and writers - among them Horatio Alger, Stephen A. Douglas, Theodore Dreiser, Horace Greeley, Winslow Homer, Jack London, John Muir, Frederick Remmington, and Mark Twain.\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":40988172091453,"sku":"92113","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92113a.jpg?v=1736979797"},{"product_id":"92114","title":"Bringing In A Deserter","description":"\u003cp\u003eThis is an original lithograph print from the drawing by Frederic Remington. The scene depicts four men in the foreground, one being the Deserter, with his hands behind his back, wearing a Derby hat. Two of the uniformed soldiers stand at attention, as a dog looks on. There appears to be snow on the ground, with the Barracks and another group of soldiers in the background. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. He is known for being one of the first American artists to illustrate the true gait of the horse in motion and the galloping horse became Remington's signature subject, which was copied and interpreted by many subsequent Western artists.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHarper's Magazine\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e was a weekly magazine which debuted in June of 1850.  Although the earliest issues consisted largely of material that had already been published in England, the magazine soon began to print the work of American artists and writers - among them Horatio Alger, Stephen A. Douglas, Theodore Dreiser, Horace Greeley, Winslow Homer, Jack London, John Muir, Frederick Remmington, and Mark Twain.\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":40988969861181,"sku":"92114","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92114a.jpg?v=1736979796"},{"product_id":"92115","title":"On Guard Duty","description":"\u003cp\u003eThis is an original lithograph print from the drawing by Frederic Remington. The scene depicts a Street Night Man Military Patrol walking down a lonely street in Havana. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. 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I appears to have several Indians and Cowboys in the scene, all watching the Command Officer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. 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Three donkeys and two Mexicans are also visible, as one of the ladies pets the smaller donkey.  The church in the background brings the viewer into their quaint village.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. 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The scene depicts four Cowboys atop their dead or injured horses.  One cowboy appears to be gravely injured or dead, while the three remaining cowboys look dismayed, with one bandaging his injured leg.  In the background can be seen about eight small groups of Indians, clearly outnumbering the Cowboys.  Thus, this is also called \"The Last Stand\", as they await their dismal fate.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. He is known for being one of the first American artists to illustrate the true gait of the horse in motion and the galloping horse became Remington's signature subject, which was copied and interpreted by many subsequent Western artists.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHarper's Magazine\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e was a weekly magazine which debuted in June of 1850.  Although the earliest issues consisted largely of material that had already been published in England, the magazine soon began to print the work of American artists and writers - among them Horatio Alger, Stephen A. Douglas, Theodore Dreiser, Horace Greeley, Winslow Homer, Jack London, John Muir, Frederick Remmington, and Mark Twain.\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":40991266242621,"sku":"92118","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92118a.jpg?v=1736979790"},{"product_id":"92119","title":"Cheyenne Scouts Patrolling The Big Timber Of The North Canadian, Oklahoma","description":"\u003cp\u003eThis is an original lithograph print from the painting by Frederic Remington. The scene depicts two uniformed Cheyenne Scouts on horseback patrolling the Woods, with one pointing out something to the other.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. 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The scene depicts a large group of Cavalry men caught in a Sand storm.  Using their hats as protection from the sand, their faces remain invisible to the viewer.  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. 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Douglas, Theodore Dreiser, Horace Greeley, Winslow Homer, Jack London, John Muir, Frederick Remmington, and Mark Twain.\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":40991293243453,"sku":"92120","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92120a.jpg?v=1736979788"},{"product_id":"92121","title":"A Bullfight in Mexico","description":"\u003cp\u003eThis is an original lithograph print from the drawing by Frederic Remington. The scene depicts three bullfighters surrounding a charging bull. One of the men on horses has been knocked down, along with his horse, who might actually be gored. The background shows a multitude of excited spectators in the stands of the arena.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. He is known for being one of the first American artists to illustrate the true gait of the horse in motion and the galloping horse became Remington's signature subject, which was copied and interpreted by many subsequent Western artists.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHarper's Magazine\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e was a weekly magazine which debuted in June of 1850.  Although the earliest issues consisted largely of material that had already been published in England, the magazine soon began to print the work of American artists and writers - among them Horatio Alger, Stephen A. Douglas, Theodore Dreiser, Horace Greeley, Winslow Homer, Jack London, John Muir, Frederick Remmington, and Mark Twain.\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":40991313920061,"sku":"92121","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92121a.jpg?v=1736979787"},{"product_id":"92124","title":"A Prairie Fire","description":"\u003cp\u003eThis is an original lithograph print made from a drawing by American landscape artist, Julian Rix, in 1886. The  scene depicts a massive prairie fire featuring deer trying to escape the flames. The ominous, smokey sky creates a chaotic atmosphere. 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Douglas, Theodore Dreiser, Horace Greeley, Winslow Homer, Jack London, John Muir, Frederick Remmington, and Mark Twain.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":41008648880189,"sku":"92124","price":75.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92124a.jpg?v=1736979776"},{"product_id":"92125","title":"Attacked by the Indians","description":"\u003cp\u003eThis is an original lithograph print made from a drawing by an unknown artist, featured in Harper's Weekly Magazine, in 1876. The scene depicts a group of white settlers, probably part of a Wagon Train, being attacked by a group of Indians on horseback.  The shocked looks on the two settlers in the foreground appear to be looking at the viewer, asking for help.\u003c\/p\u003e\n\u003cp\u003eThere is an article written about this scene below the picture. A brief excerpt:  \u003cem\u003e\"We have taught the Indians to regard the whites as enemies. We have cheated, despoiled, and demoralized them, and now affect to be surprised when they turn upon us, and defend the integrity of their lands with all the brutality and cruely of savage warfare.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHarper's Weekly:\u003c\/b\u003e  Harper's Magazine was a weekly magazine which debuted in June of 1850.  Although the earliest issues consisted largely of material that had already been published in England, the magazine soon began to print the work of American artists and writers - among them Horatio Alger, Stephen A. Douglas, Theodore Dreiser, Horace Greeley, Winslow Homer, Jack London, John Muir, Frederick Remmington, and Mark Twain.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":41008661004349,"sku":"92125","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92125a.jpg?v=1736979775"},{"product_id":"92126","title":"Mexican Troops in Sonora","description":"\u003cp\u003eThis is an original lithograph print made from a drawing by Frederic Remington, featured in Harper's Weekly Magazine, in 1886. The 5 vignettes depict Mexican troops in Sonora, which is one of the 31 states in Mexico. There are 4 small scenes aside a larger one in the middle of the print:  Garrison Guard in the Batallion; Receiving Orders; Custom House Guard; Soldier Making Lace; and the larger one is of a Prison Guard in Hermissillo, Sonora. All 5 scenes are presented in landscape format.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. He is known for being one of the first American artists to illustrate the true gait of the horse in motion and the galloping horse became Remington's signature subject, which was copied and interpreted by many subsequent Western artists.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHarper's Weekly:\u003c\/b\u003e  Harper's Magazine was a weekly magazine which debuted in June of 1850.  Although the earliest issues consisted largely of material that had already been published in England, the magazine soon began to print the work of American artists and writers - among them Horatio Alger, Stephen A. Douglas, Theodore Dreiser, Horace Greeley, Winslow Homer, Jack London, John Muir, Frederick Remmington, and Mark Twain.\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":41009111400509,"sku":"92126","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92126a.jpg?v=1736979774"},{"product_id":"92127","title":"Watching the Dust of the Hostiles From the Bluffs of the Stronghold","description":"\u003cp\u003eThis is an original lithograph print made from a drawing by Frederic Remington, featured in Harper's Weekly Magazine, in 1890. The scene depicts 6 prominent figures in the foreground, with Frederic Remington being  the middle figure.  The others are Lieutenant Geddy, second in command, Lientenant Casey, (Frederic Remington), Lieutenant Struthers, of the Pine Ridge Scouts. In the background you can see other members of the Force in the Stronghold, vigilant of the hostiles proximity. Remington's signature appears  in the lower right corner.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. He is known for being one of the first American artists to illustrate the true gait of the horse in motion and the galloping horse became Remington's signature subject, which was copied and interpreted by many subsequent Western artists.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHarper's Weekly:\u003c\/b\u003e  Harper's Magazine was a weekly magazine which debuted in June of 1850.  Although the earliest issues consisted largely of material that had already been published in England, the magazine soon began to print the work of American artists and writers - among them Horatio Alger, Stephen A. 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Two of the drawings are signed by Frederic Remington.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. He is known for being one of the first American artists to illustrate the true gait of the horse in motion and the galloping horse became Remington's signature subject, which was copied and interpreted by many subsequent Western artists.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHarper's Weekly:\u003c\/b\u003e  Harper's Magazine was a weekly magazine which debuted in June of 1850.  Although the earliest issues consisted largely of material that had already been published in England, the magazine soon began to print the work of American artists and writers - among them Horatio Alger, Stephen A. Douglas, Theodore Dreiser, Horace Greeley, Winslow Homer, Jack London, John Muir, Frederick Remmington, and Mark Twain.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":41010053021757,"sku":"92128","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92128a.jpg?v=1736979771"},{"product_id":"92129","title":"Mexican Doorways","description":"\u003cp\u003eThis is an original lithograph print made from a drawing by Frederic Remington, featured in Harper's Weekly Magazine, in 1890. The print depicts 8 Mexican scenes:  Street in Orizaba; Church Front City, of Mexico; Stake and Mud Hut; Poor Quarter, City of Mexico; Piedras Negras; Gateway to Orizaba; Garden Gate, Aqua Calientes; and a Hacienda.  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic Remington\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas an American painter, illustrator, and sculptor who specialized in the realistic portrayal of the Wild West. From cowboys and Native Americans, to U.S. Cavalry, officers of the law, emigrant settlers, Frederic Remington presented a window for the rest of the world into the beautiful, calamitous, unpredictable, and dangerous nature of Western America during the last quarter of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHis style was naturalistic, sometimes impressionistic and he focused on the people and animals of the West, portraying men almost exclusively. He is known for being one of the first American artists to illustrate the true gait of the horse in motion and the galloping horse became Remington's signature subject, which was copied and interpreted by many subsequent Western artists.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHarper's Weekly:\u003c\/b\u003e  Harper's Magazine was a weekly magazine which debuted in June of 1850.  Although the earliest issues consisted largely of material that had already been published in England, the magazine soon began to print the work of American artists and writers - among them Horatio Alger, Stephen A. Douglas, Theodore Dreiser, Horace Greeley, Winslow Homer, Jack London, John Muir, Frederick Remmington, and Mark Twain.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":41010065178685,"sku":"92129","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/92129a.jpg?v=1736979770"},{"product_id":"13333","title":"Harper's Weekly Titanic Issues","description":"\u003cp\u003eThis three-part collection of Harper's Weekly issues (Vol. LVI No. 2887 Part I \u0026amp; Vol. LVI No. 2888 Parts 1 \u0026amp; 2), published in the days following the sinking of the RMS Titanic, presents firsthand survivor accounts of the disaster, photographs documenting the rescue, and a spectacular two-page spread featuring L.A. Shafer's illustrated rendering of the tragedy.\u003c\/p\u003e\n\u003ch4\u003eEyewitness Accounts of the Titanic Disaster\u003c\/h4\u003e\n\u003cp\u003eWhile the front covers of No. 2887 and No. 2888 Part I feature striking photographs of the Titanic's hopeful departure and a lifeboat of survivors moments before boarding the rescue ship Carpathia, the most substantial coverage appears in No. 2888 Part II. This seven-page feature, \"The 'Titanic' Disaster: A Detailed and Exclusive Narrative by One of the Survivors. Illustrated with Photographs Taken by Passengers Aboard the 'Carpathia,'\" presents a firsthand account of the sinking alongside photographs documenting the rescue. Included are images of lifeboats being hoisted aboard the already crowded Carpathia, survivors gathering on deck and sharing their experiences, Captain R.H. Rostron posed heroically, and the emotional reception awaiting passengers upon their arrival in New York.\u003c\/p\u003e\n\u003ch4\u003eMore Than the Titanic\u003c\/h4\u003e\n\u003cp\u003eThough the loss of the luxury liner is the dominant focus and principal source of these issues' appeal, their additional contents provide a broader snapshot of the era. Also included are reports on labor unrest among striking miners in Wilkes-Barre, Pennsylvania, an article titled \"How the Strange Pictures of the 'Futurists' Brought Artistic Paris Almost to Blows,\" and a striking full-page portrait of Clara Barton commemorating the recent death of the famed founder of the American Red Cross.\u003c\/p\u003e\n\u003cp\u003eTaken together, these issues do far more than report that the Titanic struck an iceberg and sank. They preserve one of the earliest and most influential contemporary accounts of the disaster while capturing the social, political, and cultural landscape of the world it forever changed.\u003c\/p\u003e","brand":"New World Cartographic","offers":[{"title":"Default Title","offer_id":43274082189373,"sku":"13333","price":950.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0390\/9705\/files\/wr13333a.jpg?v=1782667898"}],"url":"https:\/\/nwcartographic.com\/collections\/harpers-weekly.oembed","provider":"New World Cartographic","version":"1.0","type":"link"}